publications

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Monographs:

Stefanie Lenk, Roman Identity and Lived Religion. Baptismal Art in Late Antiquity. Greek Culture in the Roman World, Cambridge University Press, 2025 Cambridge.
Philippa Adrych, Robert Bracey, Dominic Dalglish, Stefanie Lenk, Rachel Wood, Images of Mithra. Visual Conversations in Art and Archaeology Series, Oxford University Press, 2017 Oxford.

Rezensionen:
1. Kevin Stoba, in: Bryn Mawr Classical Review (BMCR), 2017.09.55.
2. David Walsh, in: Cambridge Archaeological Journal, Volume 28, Issue 3, S. 512-513.
3. Richard Gordon, in: The Journal of Roman Studies 108: 1-3, August 2018.
4. Csaba Szabó, in: ARYS, 16, 2018, S. 467-479.
5. Luther H. Martin, in: The Classical Review 68 (1), S. 186-188 (2018).
6. Greg Wolf, in: London Review of Books, Vol. 39, No. 21, November 2017.
7. Jenny Rose, in: ReadingReligion.org (American Academy of Religion), 20 July 2018.
8. David H. Sick, in: Journal of the Royal Asiatic Society, Vol. 28, 4, October 2018.
Stefanie Lenk, Trusting Images. How to Create Orthodox Imagery Amidst Heresy – The De Altera Vita (c. 1235-36) by Lucas of Tuy (in process)

Edited Volumes and Exhibition Catalogues:

Stefanie Lenk (Hrsg.), A Complete Translation of Lucas of Tuy's De altera vita fideique controversiis adversus Albigensium errores, Universitätsverlag Göttingen (open access and print) (in process)
Jaś Elsner, Stefanie Lenk, et. al. (Hrsg.), Imagining the Divine. Art and the Rise of World
Religions (Ausstellungskatalog, Ashmolean Museum, 19 Oktober 2017-18 Februar 2018), 2017, Oxford.
Stefanie Lenk (Hrsg.), SUBLIME | Martha Parsey – Marc Fromm (Ausstellungskatalog,
Kunstverein Wilhelmshöhe, 21 September - 27 Oktober 2013), 2013, Ettlingen.

Journal Articles:

Stefanie Lenk, ´Das Kruzifix der „Häretiker“ – Bildinnovation und Innovationsangst in Lukas von Tuy’s De altera vita (c. 1235 – 1236), in: Ideale und Normen. Das Mittelalter. Beihefte (forthcoming 2026).
Stefanie Lenk, ´Christian reuse of temples and its ecclesio-political implications at times of religious conflict: The cella-baptistery of Jbel Oust in late antique Africa Proconsularis´, in: Sabine Panzram (Hrsg.): How to Govern in Long Late Antiquity? Strategies of Administration on the Iberian Peninsula and in North Africa. The Medieval and Early Modern Iberian World, Brill, Leiden et al. (forthcoming 2025).
Gunnar Brands, Hans Goette, Stefanie Lenk, ´Petrus und der Philosoph. Ein attisches Grabrelief der Hochklassik in Bari und seine mittelalterliche Umarbeitung´, in: Römisches Jahrbuch der Bibliotheca Hertziana, vol. 46, 2023, p. 7-62.
Stefanie Lenk, Stefanie Lenk, ´Baptismal Iconography as a Marker of Romanness. The chevaux affrontés in the baptistery of Henchir el Koucha (Africa Proconsularis)´, in: Béatrice Caseau, Lucia Maria Orlandi (Hrsgg.), Baptême et baptistères entre Antiquité Tardive et Moyen Âge (Actes du colloque international. Sorbonne Université, Paris, 12-13 novembre 2020). Bibliothèque d'histoire et d'archéologie 1, SilvanaEditoriale, Mailand, 2023, p. 178-195.
Stefanie Lenk, ´Merging University Museum and Volksbildung – The Curatorial Strategies of Berlin's Museum für Meereskunde in 1900´, in: Kathleen Davidson, Molly Duggins (Hrsgg.), Sea Currents in Nineteenth-Century Art, Science and Culture. Bloomsbury, 2023, London, p. 209-234. Open Access
Stefanie Lenk, ´Außerchristliche Kunst zwischen Theologie und Religionswissenschaft – Rudolf Ottos und Heinrich Fricks Religionskundliche Sammlung (Marburg)´, in: Marburger Jahrbuch für Kunstwissenschaft, 2022, p. 209-234. Open Access
Stefanie Lenk, Response to C. Uehlinger: ´Material Religion in Comparative Perspective: How Different is BCE from CE?, in: Jaś Elsner, Rachel Wood (Hrsg.), Imagining the Divine: Exploring Art in Religions of Late Antiquity across Eurasia (British Museum Research Publications, 234), 2021, London, p. 170-175. Open Access
Stefanie Lenk, Response to C. Uehlinger: 'Material Religion in Comparative Perspective: How Different is BCE from CE?', in: Jaś Elsner, Rachel Wood (Hrsg.), Imagining the Divine: Exploring Art in Religions of Late Antiquity across Eurasia (British Museum Research Publications, 234), 2021, London, p. 170-175. Open Access
Stefanie Lenk, ‘Cristãos Ibéricos e Antiguidade Clássica — o Baptistério de Milreu/Estói (Algarve) nos Finais da Antiguidade Tardia’, in: Jorge Tomás García, Vanessa Del Prete (eds.), Imágenes, lengua y creencias en Lusitania romana, 2019, Oxford, p. 108-125. Open Access
Stefanie Lenk, ‘Iberian Christians and the classical Past – The Baptistery of Milreu/Estói (Algarve) at the End of Late Antiquity’, in: Horst Bredekamp, Stefan Trinks (eds.), Transformatio et Continuatio: Forms of Change and Constancy of Antiquity in the Iberian Peninsula 500-1500, 2017, New York, p. 63-91. Open Access

Contributions in Exhibition Catalogues:

Robert Bracey, Stefanie Lenk, ´Women as Donors´, in: Imagining the Divine. Art and the Rise of World Religions (as above), p. 104-107. Open Access
Jaś Elsner, Stefanie Lenk, ´Introduction´, in: Imagining the Divine. Art and the Rise of World Religions (siehe oben), p. 13-29. Open Access
Stefanie Lenk, ´Iconoclasm´, in: Imagining the Divine. Art and the Rise of World Religions (as above), p. 128-133. Open Access
Stefanie Lenk, ´SUBLIME | Martha Parsey – Marc Fromm´, in: SUBLIME | Martha Parsey – Marc Fromm (as above), p. 7-9.